were amiable. Arguments, if there were any at all (at this moment I can't recall any), were seldom and inconsequential. My relationship with my father had finally returned to the glory of the old days.
So, dear readers, you must be wondering: how could your author be so unfeeling as to refrain from calling his father when he's in the hospital facing such physical peril as open-heart surgery?
My only excuse is weak and embarrassing, but it is my excuse nonetheless: I maintained silence out of habit. My father and I spoke so seldom for so long that even after our relationship was rejuvenated, our conversations were occasional. Birthdays passed without notice. Emails were exchanged every few months, and words even less often.
We became accustomed to silence. And now I'm afraid that it will one day breed in me a dark psychological torment.
Living in Taiwan and with this magazine, I'm so busy that I rarely see friends that live a few blocks away. Returning to Canada, even for a short visit, is unlikely. Meanwhile my father is in Canada and, considering his health, a trip to Asia sounds equally implausible.
So, as my father reclines on the beach chair of retirement in the twilight of his life, we find ourselves separated by a seemingly impassable ocean. It is possible that I won't see him alive again and, as I sit here writing, this fact a sears my soul with icy terror.
But it is not my father's death that I fear. I fear something much more terrifying -- regret. I'm afraid that when my father dies I'll regret our lack of communication and that such an irresolvable conflict would burn through my psyche like hot acid.
So what do I do? Do I call my father? I do not. Do I write him a letter? No.
Instead, I write this Letter from the Editor. Four thousand copies of this letter will be printed and distributed around Taiwan to be read by my xpat family. But, as you read this you should know that it isn't meant for you. Hell, I don't even care if you like this issue. Every story I've ever written was for my readers. I've treated every copy of this magazine with tender care for fear that I'd deliver a flawed product to my audience. But not this time. This time I made just one magazine and it's sitting on a desk in a study in a log cabin in the Rocky Mountains of British Columbia and you, dear reader, are reading a sad facsimile of that one.
'Cause this one's for, my pop.
Love and Respect,
Salvatore Paradisio
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